Sir was very particular that we close our mouths and render the aksharams (syllables) very perfectly. Instead of singing ‘mm’ they tend to sing ‘unnn’. SVV: There is a practice where some singers do not close their mouth at all. The tune has been made in such a way that you are forced to pronounce the words clearly. Your browser does not support the audio element.ĬG: When you sing ‘ sakala bhuvana shubhakara’, the way the word ‘bhuvana’ is tuned gives a feeling of roundness! It makes you really feel, “Yes, yes! He is talking of the whole world!”ĬG: That's what I meant when I said that Sir has taken word by word and tuned! One unique feature of the Sai Pancharatnas is that there is no scope for unclear pronunciation of the words. Nī padamu sōki bhuvi dhanyamāye nī karuṇakilanu evaru sāṭi Praṇatārtihara śivaśakti rūpa bhāradvāja gōtrōdbhava Sṛṣṭi sthiti kāraka suguṇākara ratnākara vamśābdhi sudhākara Praṇamāmi sāyīśa sakala bhuvana śubhakara ghanacarita When I heard the first line ‘Pranamami Sayeesha’, I felt the way it is tuned is so divine! You can just close your eyes and listen to the song. But what adds so much of colour to the lyrics is the raga which has been selected. The lyrics definitely make the most impact with their meaning, as they are very rich. The Structure of Pancharatna Kritis vis-a-vis Tyagaraja KritisĬG: Raj Kumar Bharathi Sir has chosen Gambheera Nattai for the first kriti and there's no doubt that this is a very grand raga for the opening.ĪS: Yes. In this episode they dwell on the musical beauty as well as profound depth of the lyrics of the first Sai Pancharatna Kriti – “Pranamami Saiesha”. Vasumathi (SVV), the Vice Principal of Sri Vishwa Vidyalaya Matriculation High School, Chennai. Sai Prakash (CG), Anirudh Srinivasan (AS), and Bishu Prusty (BP), as well as Ms S. Presented below are edited excerpts of the third 'Outside Inside Deep Inside' discussion which had as its participants, Radio Sai team members, C.
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